{"doi":"10.4000/transposition.6419","title":"Deconstructing opera for opera’s sake: an interview with Opera Queer (Argentina)","abstract":"<jats:p>Ópera Queer is a queer lyric company that emerged in Buenos Aires, Argentina. In this interview we talk to its members, Ferni and Luchi, to know how they carry out the militancy for LGBTIQ+ rights in relation to opera.</jats:p>","journal":"Transposition","year":2021,"id":671326,"datarank":0.0,"base_score":0.0,"endowment":0.0,"self_citation_contribution":0.0,"citation_network_contribution":0.0,"self_endowment_contribution":0.0,"citer_contribution":0.0,"corpus_percentile":null,"corpus_rank":null,"citation_count":0,"citer_count":0,"citers_with_citation_signal":0,"citers_with_endowment":0,"datacite_reuse_total":0,"is_dataset":false,"is_dataset_confidence":null,"is_data_producer":false,"deposit_databanks":null,"is_oa":false,"file_count":0,"downloads":0,"has_version_chain":false,"published_date":null,"fair_score":null,"fair_percentile":null,"algorithm_id":"datarank_citation_only_1hop_v6","ranking_scope":"data_only","authors":[{"id":1753819,"name":"Giselle Araceli Méndez","orcid":null,"position":1,"is_corresponding":false},{"id":1753818,"name":"Jazmín María Tiscornia","orcid":null,"position":0,"is_corresponding":false}],"reference_count":0,"raw_metadata":{"has_enrichment":true,"resolved":true,"title":"Deconstructing opera for opera’s sake: an interview with Opera Queer (Argentina)","abstract":"<jats:p>Ópera Queer is a queer lyric company that emerged in Buenos Aires, Argentina. In this interview we talk to its members, Ferni and Luchi, to know how they carry out the militancy for LGBTIQ+ rights in relation to opera.</jats:p>","is_dataset_classified":null,"base_score":0.0,"endowment":0.0,"datacite_reuse_total":0,"file_count":0,"downloads":0,"views":0,"has_version_chain":false,"is_dataset":false,"is_oa":false,"pmid":"19965766","pmcid":null,"openalex_id":"https://openalex.org/W3158747124","authors":[],"funders":[],"total_grants":0,"fwci":0.0,"citation_percentile":0.05882547,"influential_citations":0,"citation_trend":[],"oa_status":"gold","license":"cc-by-sa","oa_locations":[{"url":"https://journals.openedition.org/transposition/pdf/6419","host_type":"journal"},{"url":"https://journals.openedition.org/transposition/pdf/6419","host_type":"publisher"},{"url":"https://doi.org/10.4000/transposition.6419","host_type":"journal"},{"url":"https://doaj.org/article/08dba7e5048e438ea26a73995d71a72e","host_type":"repository"},{"url":"https://doaj.org/article/0fb574bcdc084d4ca1109c400d98792d","host_type":"repository"},{"url":"https://journals.openedition.org/transposition/6419","host_type":"repository"}],"fields_of_study":["LGBTQ Health, Identity, and Policy","Art, Politics, and Modernism","Latin American and Latino Studies"],"mesh_terms":[],"keywords":["Opera","Queer","Relation (database)","Art","Opera house","Gender studies","Sociology","Art history","Computer science"],"sdg_mappings":[{"sdg_number":0,"sdg_label":"Gender equality"}],"linked_datasets":[],"clinical_trials":[],"software_tools":[],"database_accessions":[],"source":"live","citation_network_status":"fetched"},"created_at":"2026-08-16T02:11:37.336888Z","pmid":null,"pmcid":null,"fwci":null,"citation_percentile":null,"influential_citations":0,"oa_status":null,"license":null,"views":0,"total_file_size_bytes":0,"version_count":0,"fair_f":null,"fair_a":null,"fair_i":null,"fair_r":null,"fair_zscore":null,"fair_rationale":null,"fair_model":null,"fair_agent_version":null,"fair_fulltext_source":null,"fair_has_llm":null,"fair_computed_at":null,"clinical_trials":[],"software_tools":[],"db_accessions":[],"linked_datasets":[],"topics":[]}