{"doi":"10.1017/s0075426918000095","title":"Emotional and Thematic Meanings in a Repeating Homeric Motif: A Case Study","abstract":"<jats:title>Abstract</jats:title><jats:p>The regularly occurring Homeric motif τρὶς μέν … τρὶς δέ shares key characteristics with both formulas and type scenes. Like a formula, it is a group of metrically localized words that refers regularly to the same idea. Like a type scene, it describes a series of discrete events that feature ‘repeated attempts to do something, often by two different characters’. This motif evokes the same basic theme in the narratives of both Homeric poems: a vigorous hero gains the sympathy of the audience in the course of repeated attempts, usually in vain, to surmount a powerful opposing force. As with many forms of narrative repetition in Homeric epic, most of the instances of the τρὶς μέν … τρὶς δέ motif display regular narrative patterns, and then a few key scenes elaborate on those patterns in order to create moments of outstanding poetic and emotional force. Highly developed examples of this motif make significant contributions to the <jats:italic>aristeia</jats:italic> of Patroclus in <jats:italic>Iliad</jats:italic> 16, the death of Hector in <jats:italic>Iliad</jats:italic> 22 and Telemachus’ attempt to string Odysseus’ bow in <jats:italic>Odyssey</jats:italic> 21.</jats:p>","journal":"The Journal of Hellenic Studies","year":2018,"id":45612,"datarank":0.5720946863079557,"base_score":3.7612001156935624,"endowment":3.7612001156935624,"self_citation_contribution":0.5641800173540344,"citation_network_contribution":0.007914668953921256,"self_endowment_contribution":0.5641800173540344,"citer_contribution":0.007914668953921256,"corpus_percentile":null,"corpus_rank":null,"citation_count":42,"citer_count":41,"citers_with_citation_signal":2,"citers_with_endowment":2,"datacite_reuse_total":0,"is_dataset":false,"is_dataset_confidence":null,"is_data_producer":false,"deposit_databanks":null,"is_oa":false,"file_count":0,"downloads":0,"has_version_chain":false,"published_date":null,"fair_score":null,"fair_percentile":null,"algorithm_id":"datarank_citation_only_1hop_v6","ranking_scope":"data_only","authors":[{"id":212859,"name":"Deborah Beck","orcid":null,"position":0,"is_corresponding":false}],"reference_count":0,"raw_metadata":{"has_enrichment":true,"base_score":3.7612001156935624,"endowment":3.7612001156935624,"datacite_reuse_total":0,"file_count":0,"downloads":0,"views":0,"has_version_chain":false,"is_dataset":false,"is_oa":false,"pmid":"21071399","pmcid":null,"openalex_id":"https://openalex.org/W2902352756","authors":[],"funders":[],"total_grants":0,"fwci":0.0,"citation_percentile":0.21550647,"influential_citations":0,"citation_trend":[{"year":2023,"count":13},{"year":2024,"count":29}],"oa_status":"closed","license":"https://www.cambridge.org/core/terms","oa_locations":[{"url":"https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0075426918000095","host_type":"publisher"},{"url":"https://doi.org/10.1017/s0075426918000095","host_type":"journal"},{"url":"https://www.jstor.org/stable/26575923","host_type":""}],"fields_of_study":["Classical Antiquity Studies","History","Art"],"mesh_terms":[],"keywords":["Motif (music)","Narrative","Literature","Poetry","HERO","EPIC","Sympathy","Narrative structure","Art","History","Aesthetics","Psychology","Social psychology"],"sdg_mappings":[],"linked_datasets":[],"clinical_trials":[],"software_tools":[],"database_accessions":[],"source":"live","citation_network_status":"fetched"},"created_at":"2026-07-03T22:55:31.639090Z","pmid":null,"pmcid":null,"fwci":null,"citation_percentile":null,"influential_citations":0,"oa_status":null,"license":null,"views":0,"total_file_size_bytes":0,"version_count":0,"fair_f":null,"fair_a":null,"fair_i":null,"fair_r":null,"fair_zscore":null,"fair_rationale":null,"fair_model":null,"fair_agent_version":null,"fair_fulltext_source":null,"fair_has_llm":null,"fair_computed_at":null,"clinical_trials":[],"software_tools":[],"db_accessions":[],"linked_datasets":[],"topics":[]}